$13.95

In stock (can be backordered)

ISBN: 978-1-62557-935-5
Catalog: Black Lawrence Press
Categories Poetry

Decency

Marcela Sulak

Publication Date: July 15, 2015

Praise

“Can a book that’s deeply ethical also be charming? It turns out, yes.

Sulak’s geopolitical borders may be porous, but her wit is a taut wire. There is delight all through this collection-Gertrude Stein’s violent delightfulness. This poet strews coins, corn, meteor showers, and slender men in bright shirts. She also thinks through the most brutal things we do to each other. As lovers. As nations. As humans. Sulak’s gold isn’t adornment. It is Marianne Moore’s ‘unfalsifying sun.'”

-Joy Katz, author of All You Do Is Perceive, The Garden Room, and Fabulae

Marcela Sulak is that rare kind of poet who looks simultaneously outward and inward, who knows how to find the music in the details and textures of individual and collective experience. ‘Understand the world is filled with people/eager to bend/things to their will,’ she writes, about halfway through this musical, personal, political book. Decency is committed to understanding and recording the ways the individual operates in relation to society’s mores and harms, and in relation to the hurtling freight train of history.”

-Daisy Fried, author of Women’s Poetry: Poems and Advice, My Brother is Getting Arrested Again, and She Didn’t Mean to Do It

‘Dear Other Woman’ Sulak writes, ‘every morning now for weeks/ I’ve felt your fingers/ gently slide up through my throat/ as I awoke.’ And indeed, in these sophisticated, elegiac, wry, graceful poems, Sulak again and again performs miracles of ventriloquism and witness. Whether she is writing about Cortez or Catherine de Medici, the poems retain a deeply personal feel. Links to the poet’s own history are made with a wondrous ease, and each narrative opens out into a moment of universal resonance. As we move from the fields of Texas to the streets of Jerusalem and even to the horrors of Auschwitz, what ultimately holds this worldly collection together is a formal ingenuity, a microscopic eye, and a patient, compassionate voice that translates the world for us, ‘one grain, one blade, one pigment at a time.’

-Steven Gehrke, author of Michelangelo’s Seizure, The Pyramids of Malpighi, and The Resurrection Machine

About the Author

© Daniel Fainberg

Marcela Sulak

Marcela Sulak is a poet, essayist, and translator. Her five titles with Black Lawrence Press include the novella-in-verse, The Fault (2024); the 2021 National Jewish Book Award finalist for poetry, City of Skypapers; the lyric memoir, Mouth Full of Seeds (2020); and poetry collections Decency (2015) and Immigrant (2010). Her translations from the Hebrew include the forthcoming I and Not an Angel: Selected Poems of Eli Eliahu (Dos Madres, 2026), the Music of the Wide Lane and Other Poems by Sharron Hass, for which she won a 2019 NEA Translation Fellowship (University of Texas Press, 2026), and Twenty Girls to Envy Me: Selected Poems of Orit Gidali, nominated for the 2017 PEN Award for Poetry in Translation (University of Texas Press). From the Czech she's translated foundational texts of Karel Hynek Macha's K. J. and a forthcoming Vítězslav Nezval. She’s co-edited with Jacqueline Kolosov the 2015 Rose Metal Press title Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres. Her essays have appeared or are forthcoming in Poetry International, The Boston Review, The Iowa Review, The Los Angeles Review of Books, Asymptote, and Gulf Coast online, among others. She directs the Shaindy Rudoff Graduate Program in Creative Writing at Bar-Ilan University, where she is a professor in American Literature. She also edits The Ilanot Review.    

Visit Author Page