Buy from Black Lawrence Press

$9.95

ISBN: 9781625572424
Catalog: Black Lawrence Press
Request a Review/Exam Copy

Complete only if requesting a physical review/exam copy. While we can only send physical copies to addresses within the US, reviewers and educators outside the US are welcome to request an e-galley (PDF). (See check boxes below.)

Check as many boxes as apply.

While filling out this form is not a guarantee you will receive a review/exam copy, we are happy to consider your request. E-galleys are typically available about 1-2 months prior to a book’s publication date, and physical review/exam copies are available shortly before publication.

The Forgiveness Dream

Lee Peterson

Publication Date: April 27, 2027

Description

The Forgiveness Dream reimagines Sophocles’ Antigone in a series of finely-etched dramatic monologues. These ancient soliloquies speak to current crises: questions of rupture and repair, displacement and migration, war, justice, and fracture. Intimate themes and concerns about fathers and daughters, loss, grief, and memory weave throughout the persona poems in Lee Peterson’s arresting third chapbook.

While the heroine Antigone is the book’s central figure, male characters figure prominently, as do questions of male authority and the wounds men carry, heal, inflict, rise to meet, and sink beneath. Surrounding Antigone’s story are personal, contemporary lyrics that wrestle with loss and wonder what is left when home has no name.

Praise

I envy Lee Peterson’s restraint. The poems in The Forgiveness Dream are unadorned, image-driven, and exact; they stand like weight-bearing columns of marble. The opening sequence reimagines Antigone not as a distant classical figure but as a living presence, one that feels urgently contemporary. Through her, Peterson explores conviction, grief, loyalty, and the difficult ethics of resistance. Intellectually rigorous and deeply felt, these poems are as stark and lustrous as a strand of pearls against a bare neck.

—Alexandra Lytton Regalado, author of Matria and Relinquenda

Like the Greek myths themselves, Lee Peterson’s poems remain carefully and unbreakably stitched to our current historical moment, admitting when the truth is “a shell sound” echoing only outside our gates, and when the loss of a(ny) loved one is “a fault // of all our sins.” There is wisdom here, both intellectual and experiential, balanced by the poet’s courage to ask questions in the face of destruction and great love: “…what do we become? / No tongues to speak of, // to speak for, to know.” And what have we, the children of history, become? What do we risk everything to protect? How do we serve one another in the midst of so much death, so much injustice in the name of so-called power? These are the questions Peterson’s poems will stir in a reader—proceed with vulnerability and bravery!

—Abby Murray, author of Recovery Commands

How is it that the juxtaposition of beauty/brutality rings so horrific in its familiarity? Lee Peterson writes with such exquisite restraint, which is really the poetry of listening: “We cannot talk about refugees and not/talk about war or water.” As readers, we learn, we wonder: what is it we wake to in ourselves? What do we hold to ourselves that no one can know? The Forgiveness Dream stands with the nameless, joining rather than splitting—in the organic, breathing present.

—Jan Beatty, author of Dragstripping

About the Author

© Esmée Eliza Sherril

Lee Peterson

Lee Peterson is the author of two full-length poetry collections, Rooms and Fields: Dramatic Monologues from the War in Bosnia selected by Jean Valentine for the Stan and Tom Wick Poetry Prize (Kent State University Press) and In the Hall of North American Mammals (Cider Press Review) and two chapbooks, "R" is for Rising/Soon After the Sun (dancing girl press) and The Needles Road (Seven Kitchens Press). Her work has appeared in Poetry Daily, Verse Daily and such journals as Arts & Letters, Bellingham Review, Collateral, Rust & Moth, Southern Humanities Review, and THRUSH. Her poem “Quartet for the End of Time” won the 2023 Poetry International Prize. Peterson’s research, writing, and community interests center on issues of human rights, displacement and migration, and motherhood. She holds an MFA in poetry from Sarah Lawrence College and is an Associate Teaching Professor of English at Penn State University.

Visit Author Page