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Categories Poetry

Ghetto Koans: A Personal Archive

James Cagney

Publication Date: July 15, 2025

Description

The Japanese word ‘koan’ is a seemingly unanswerable riddle used by practitioners of Zen Buddhism to trigger spiritual enlightenment and understanding. Ghetto Koans: A Personal Archive is a vibrant, genre-busting collection of voices, observations and memories that trigger nostalgia of a lost time, lost neighborhood, lost city.

James Cagney masterfully weaves together monologues, documentary-style narratives, and keen observations, offering a profound glimpse into the lives and stories that shape this unique community and beyond. From direct door-to-door salesmen and flirtatious phlebotomists to rotary telephones and an appreciation of clotheslines, each poem serves as a window into the heart of the Bay Area, capturing the raw beauty, struggles, and curious triumphs of its people. Cagney’s words resonate with authenticity and depth, making this collection a must-read for anyone seeking to understand the rich tapestry of urban life.

Ghetto Koans is a journey through the soul of a community, told with unparalleled honesty and grace.

Praise

With Ghetto Koans James Cagney has his ear to the ground and his eyes wide open. An ode to Oakland, this collection speaks to the craziness one gets used to, and does so with surgical precision. Like the patient in “Overheard in the Dr’s Office,” each poem will have you hungry as a grave then, suddenly, just as sated
—Nicole Sealey

Alive and incanting with poetic forms received, invented, inverted, enumerated into lists, and chanted into urban spells, Ghetto Koans is a “flower (that) cuts through the bullshit between people,” snipped by “a ninja jingling with blades”—and true to its name, shows us the nature of reality, and leaves us feeling as though “wherever we were going, we had arrived already.”
—Maw Shein Win

Cagney is an urban lyricist of earthquake magnitude
—Jewelle Gomez

I hesitate to call a book beautiful in these difficult times because beauty so often means the surrender of our consciousness, our need to confront the fuckery of the moment and the life we endure. James Cagney’s Ghetto Koans is perhaps the exception. It confronts the plight of human existence with unparalleled lyric intensity making for a reading experience like no other. Dare I say it? Fuck yeah I’ll say it. This is a beautiful work of art!
—Truong Tran

In reinventing the koan James Cagney also reinvents the villanelle, letting the voices of Oakland, California, Texas and ultimately our future take over the poems inside, all while wrapped inside a loose formalism. In revolutionizing form and voice, Cagney, whose poetic gifts were already considerable, is showing us there is no roof on how high his voice can rise. We can only hope, for our sakes, that he continues this evolution, and that we are ready for it.
—Paul Corman-Roberts

Ghetto Koans: A Personal Archive is a visceral collection that resonates and vibrates the soul.
—Tshaka Campbell

About the Author

© Rohan DeCosta

James Cagney

Oakland native James Cagney is a poet and Cave Canem Fellow. He has appeared as a featured artist at Museum of The African Diaspora (MOAD SF), The DeYoung Museum and the Oakland Museum, as well as the Winter Warmer Poetry Festival in Cork, Ireland,  Miko Kuro's Midnight Tea: Midnight In Mumbai (2012), Celebration of the Word with Maya Angelou (2001), Four Brothers Featuring Will Power, and Ritual Theater 2000. He read for established series Moondrop Productions, Lyrics and Dirges, and in Sacramento, Ca, the Mahogany Urban Poetry Series and for both Litquake and Beast-Crawl.

His work has been published in Alta Magazine, Poetry Daily, Tandem, Eleven Eleven, The Maynard, Civil Liberties United, Anvil Tongue Books, The Racket Journal, As Of Late IV, anthologies Best American Poetry 2022, Lines OnLine Collection 2022, Black Powerful (edited by Natasha Marin), Colossus: Home, All The King's Horses, Silver Pinion, Caduceus, Barbershop Chronicles, Beat Not Beat (edited by Kim Shuck), Susurrus, Peregrine Journal, The Scribbler, InterlitQ Magazine, Ambush Review, Sparring With The Beatnik Ghosts, and on-line at Lime Hawk, Print Oriented Bastards, Typehouse Magazine, Fresh Hot Bread, mediacakemagazine.com and oaklandlocal.com.

James has facilitated poetry workshops at the San Francisco Public Library, Taking Notes series for SFJazz.org and Alameda Island Poets. He has appeared in the San Francisco Chronicle,  and on KALW.org and KXSF.FM.

He wrote and performed an original monologue, The Two Chairs as part of the Afro-Solo Arts Festival, and unrehearsed stories for The Shout Storytelling Series.

As a poet, he has performed at countless venues including Cal State Hayward, Barry University in Miami, Reader's Bookstore at Fort Mason Center and Art House in Berkeley, The Starry Plough, La Pena Cultural Center, Above Paradise Lounge, The Stork Club, Spasso's Cafe, The Jahva House, Florey's Books in Pacifica, Department of Make Believe, Grace Cathedral and the OK Hotel.

His first book, Black Steel Magnolias In The Hour Of Chaos Theory, won the PEN Oakland 2019 Josephine Miles award. His second book, Martian: The Saint of Loneliness, (Nomadic Press) won the winner of the 2021 James Laughlin Award from the Academy of American Poets and was nominated for the 43rd Los Angeles Times Book Prize. Visit JamesCagneyPoet.com

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