Creative Nonfiction Consultations with Alan Chazaro

Alan Chazaro is the author of This Is Not a Frank Ocean Cover Album (Black Lawrence Press, 2019), Piñata Theory (Black Lawrence Press, 2020), Notes from the Eastern Span of the Bay Bridge (Ghost City Press, 2021), and These Spaceships Weren’t Built For Us (Tia Chucha Press, 2026). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and was selected as a Lawrence Ferlinghetti Poetry Fellow at the University of San Francisco. His work can be found in NPR, The Guardian, SLAM, GQ, L.A. Times, and more. He is currently based in Veracruz.

Alan will provide detailed comments on your manuscript as well as a cover letter. After receiving these files, participants who submit chapbooks and full-length manuscripts may also book phone/video conferences with Alan at no additional charge.

Alan is accepting everything from flash-length essays to full-length manuscripts. The fees and parameters for each of these categories are as follows:

  • Flash Essays, up to 2 pages in length, $25
  • Essays, up to 20 pages in length, $55
  • Chapbooks, up to 40 pages in length, $275
  • Manuscripts, up to 180 pages in length, $550
  • Long Manuscripts, up to 300 pages in length, $795

Alan will provide detailed comments on your manuscript as well as a cover letter. After receiving these files, participants who submit chapbooks and full-length manuscripts may also book phone/video conferences with Chris at no additional charge.

All manuscripts should be double spaced and formatted in 12-point font.The deadline to submit work for this consultation program is August 31. Alan will complete his work and respond to all participants by September 30.

Consultations

Creative Nonfiction Consultations with Alan Chazaro

Click Here to Submit Deadline: August 31 How to submit ›

Statement of Purpose

As a former high school literature teacher at the Oakland School for the Arts, creative writing professor at the University of San Francisco, and journalist currently based in Mexico, I value the magic of real-world experiences shared and preserved through the written word.

Creative nonfiction, for me, then, is a universal language with limitless powers: to retell and reimagine, to process and comprehend, to reflect and recalibrate, to imagine and foretell. In writing about what’s around us, a writer must interrogate not just their own recollections of the past and present through private memory, but must often engage in a larger constellation of research, information, historical circumstances and truths that can, at times, impact actual change. That is, writing about our own lives, and about the systems and frameworks within which we inhabit  — creatively, openly, directly — provides a map of greater understanding through which we can navigate anything that was once invisible to us. That is the gift of nonfiction.

My goal as a consultant — with more than a decade of experience as a writer myself, but also as a full-time educator who has guided and edited others who are in search of voice, narrative and structure — is always to identify and strengthen the interweaving threads of possibilities for any work-in-progress: from macro-level, thematic opportunities to line-level revisions and word choice considerations. In doing so, each texture begins to cumulatively define what a story can, or might, tell in its fullest, most luminary way. I believe the process is just as important as the final result, and investing earnestly and deeply in the journey of writing is the most valuable thing one can do as a writer. In the end, each writer will walk away with a clear sense of what is working, and where various elements can be expanded in specific, tangible ways.

Alan Chazaro

Alan Chazaro is the author of This Is Not a Frank Ocean Cover Album (Black Lawrence Press, 2019), Piñata Theory (Black Lawrence Press, 2020), Notes from the Eastern Span of the Bay Bridge (Ghost City Press, 2021), and These Spaceships Weren't Built For Us (Tia Chucha Press, 2026). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and was selected as a Lawrence Ferlinghetti Poetry Fellow at the University of San Francisco. His work can be found in NPR, The Guardian, SLAM, GQ, L.A. Times, and more. He is currently based in Veracruz.

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How to Submit

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