$21.95

ISBN: 978-1-62557-156-4
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Sidework

Publication Date: March 2025

Description

Black Lawrence Immigrant Writing Series

Homeless Korean adoptee mother with her dreads in a braid, waits tables at a busy NorCal cash only diner frequented by growers, rock stars, dreamers, tycoons, and tourists alike. At night, she and her four children sleep in the back of the van that has been their home ever since wildfires ramped up, gentrification (a different sort of natural disaster) swooped in, and the intentional community/commune where they used to live – off-grid on 300-acres in a canvas tent – disbanded and the property was sold.

She hustles hard during a Sunday shift, knocking her already unstable colleagues out of the way, hoping tips will save her. But, with each order she takes, each customer interaction serves only to bring her closer to her ghosts until all the platters come crashing and she must reconcile death, suicide, love and motherhood and the loss of more than just one co-worker.

Intricately woven, lyric, and atmospherically layered, Sidework makes the mystic and mythic the mundane.

Praise

In Sasha Hom’s Sidework, the narrator—a homeless Korean American adoptee—is fearless and funny, surviving with her family under the grind of capitalism and extreme financial precarity. She navigates the vicissitudes at a cafe shift, with much humor and grace, in prose that’s by turns lyrical and gritty. A stunning novella.

–Vanessa Hua, author of Forbidden City

About the Author

Sasha Hom

Sasha Hom lives off-grid in small canvas and wooden structures on a 600-acre land co-op amid 5,800 acres of conserved land situated within Vermont, an odd-shaped state (but aren’t they all?) upon a very large continent amid oceans. She has four children, many goats, fowl, and a dog. In addition to homeschooling her children and herding small ruminants, she runs Bottomless Well, a refuge/laboratory for arts and ecologically oriented folx, and works on the farms of others. She was a Holden Minority Scholar at Warren Wilson College where she earned her MFA. She is a recipient of a Sustainable Arts Foundation grant, a Brink Hybrid Literary Award, and a 2023 Justice, Activism and Localization Grant. Her work can be found in Exposition Review, Brink, The Leon Literary Review, The Millions, Literary Mama, Kweli Journal, Viz. Inter-Arts, Journal of Korean Adoption Studies, and anthologies.

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