Mixed Genre / Hybrid Consultations with Kristina Marie Darling

Kristina Marie Darling is the author of thirty-six books, which include Look to Your Left:  A Feminist Poetics of Spectacle, which is forthcoming from the Akron Series in Contemporary Poetics at the University of Akron Press; Stylistic Innovation, Conscious Experience, and the Self in Modernist Womens Poetry, forthcoming from Rowman & Littlefield Publishing Group; Daylight Has Already Come:  Selected Poems 2014 – 2020, which will be published by Black Lawrence Press; Silence in Contemporary Poetry, which will be published in hardcover by Clemson University Press in the United States and Liverpool University Press in the United Kingdom; Silent Refusal:  Essays on Contemporary Feminist Poetry, forthcoming from Black Ocean; Angel of the North, which is forthcoming from Salmon Poetry; and X Marks the Dress: A Registry (co-written with Carol Guess), which will be launched by Persea Books in the United States.  Penguin Random House Canada will also publish a Canadian edition.  Her work has been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; six residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities, which she received on two separate occasions; an artist-in-residence position with the Andorran Ministry of Culture; and the Dan Liberthson Prize from the Academy of American Poets, which she received on three separate occasions; among many other awards and honors. She serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly.

Kristina is accepting everything from individual poems to full-length collections. The fees and parameters for each of these categories are as follows:

  •    Single poem or hybrid piece of up to 2 pages: $25
  •    Folio of five poems/short hybrid work of up to 7 pages: $55
  •    Chapbook of up to 40 pages: $275
  •    Manuscript of up to 80 pages: $425
  •    Manuscript of up to 200 pages: $625

Kristina will provide detailed comments on your manuscript as well as a cover letter. After receiving these files, participants who submit chapbooks and full-length manuscripts may also book phone/video conferences with Kristina at no additional charge.

All manuscripts should be formatted in 12-point font. The deadline to submit work for this consultation program is March 31. Kristina will complete her work and respond to all participants by April 30.

Consultations

Mixed Genre / Hybrid Consultations with Kristina Marie Darling

Click Here to Submit Deadline: March 31 How to submit ›

Statement of Purpose

Most of my work as a teacher and an editor attempts to expand what is possible within these received forms of writing.  For many writers, the question of genre is inherently a question of power.  These beliefs about what texts are legible, what texts are considered legitimate, reflect larger structures of authority in the literary community and in the academy.  Poet and critic Sarah Vap writes, “I am extremely interested in what is often called hybrid or conceptual within the outstandingly elastic abilities of poetry– these efforts that pose a challenge to the categories of writing (scholarship, journalism, coding, etc.), asking them to also expand their abilities and considerations and concerns and ways. To democratize.”  What Vap is suggesting is that dismantling the categories of writing is a larger ontological and metaphysical challenge to the social order – it calls into question the values and hierarchies that we impose upon language. So when she’s saying that hybridity is a democratization, this is what she means.  Hybridity – placing disparate forms and or types of language in conversation – is a way of challenging rules but also the people and institutions in power who make those rules. When working with writers, I welcome unruly texts, unclassifiable texts, the innovative and the experimental.  After all, a new message — and a challenge to the status quo — often requires new forms of discourse.

Kristina Marie Darling

Kristina Marie Darling is the author of thirty-six books, which include Look to Your Left:  A Feminist Poetics of Spectacle, which is forthcoming from the Akron Series in Contemporary Poetics at the University of Akron Press; Stylistic Innovation, Conscious Experience, and the Self in Modernist Womens Poetry, forthcoming from Rowman & Littlefield Publishing Group; Daylight Has Already Come:  Selected Poems 2014 - 2020, which will be published by Black Lawrence Press; Silence in Contemporary Poetry, which will be published in hardcover by Clemson University Press in the United States and Liverpool University Press in the United Kingdom; Silent Refusal:  Essays on Contemporary Feminist Poetry, forthcoming from Black Ocean; Angel of the North, which is forthcoming from Salmon Poetry; and X Marks the Dress: A Registry (co-written with Carol Guess), which will be launched by Persea Books in the United States.  Penguin Random House Canada will also publish a Canadian edition.  Her work has been recognized with three residencies at Yaddo, where she has held the Martha Walsh Pulver Residency for a Poet and the Howard Moss Residency in Poetry; a Fundación Valparaíso fellowship to live and work in Spain; a Hawthornden Castle Fellowship, funded by the Heinz Foundation; an artist-in-residence position at Cité Internationale des Arts in Paris; six residencies at the American Academy in Rome; two grants from the Whiting Foundation; a Faber Residency in the Arts, Sciences, and Humanities, which she received on two separate occasions; an artist-in-residence position with the Andorran Ministry of Culture; and the Dan Liberthson Prize from the Academy of American Poets, which she received on three separate occasions; among many other awards and honors. She serves as Editor-in-Chief of Tupelo Press & Tupelo Quarterly.

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How to Submit

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